Archive for the ‘Recording Equipment’ Category
Sunday, April 25th, 2010
Have you been curious about the Olympus DS 5000 digital recorder? With this article, you will find out more in a general overview. If you want to know about all the features, then keep reading for all the basics.
This recorder is great for dictation, especially for legal and medical work. No matter your purpose, it will meet your needs. To get everything you can out of the digital recorder, then you will also want to get the Olympus transcription software.
The Olympus transcription software is the means to distributing the dictations. You do not need to store them on your recorder, and you can file them at your own convenience, using your own organization methods. You can create subfolders, which will help you find the recordings later when you need them.
If you have tried dealing with inferior products, you will truly appreciate all the professional features of the Olympus DS 5000. There is a slide switch for ease of use. It is especially quiet, so it won’t interrupt when you are doing your dictations.
Three programmable buttons also make things a lot easier than other recorders. You can determine which three functions you use the most, and then program them to the buttons so that they are right there with easy access. Now you can personalize your recorder.
The cradle of the recorder also does more than simply act as a dock. Of course, it will recharge everything for you, but it will let your record without your hands as well. It will quickly download data to your computer, so you do not need to worry about it.
Macs and PCs aren’t always compatible with different programs and devices. However, with the Olympus DS 5000, you never need to worry. If you have a different computer at work and at home, the recorder will work perfectly with both.
The recorder allows for easy editing. You can overwrite old files, insert in the middle of a recording, erase files or even only do a partial erasing. Overall, it is a very easy system to learn, and very easy to use.
Amy’s been in business for over 20 years. One thing she has learned is that important ideas come to mind at the worst times. She uses the Olympus ds 5000 voice recorder to get thoughts down, then uses Olympus transcription software to have them transcribed.
Tags: business, business equipment, business management, electronics, Recording Equipment, transcription software Posted in Recording Equipment | No Comments »
Saturday, January 9th, 2010
As a studio sound mixer, you really cannot skimp on the quality of your recording equipment. If you record as a hobby for your friends, do not worry about getting the most expensive materials, as mid-range priced equipment will be more within your price range and still deliver a powerful punch. Even the lower-range studio monitors blow computer speakers away. It is like the difference between watching regular television and a movie. The analogy can be taken one step further by suggesting that it’s like watching a movie on a black-and-white 12 inch screen compared to a massive HD-TV. There are a number of great reasons why computer speakers simply cannot match the mixing abilities of studio monitors.
Nearfield monitors can produce a very pleasing sound when placed a proper distance from your ears. A few feet away is the optimal distance. For mixing, computer speakers are often poor investments because consumer speakers are designed to make music sound the best possible, while this is exactly what you don’t want during mixing. You want to hear the flat, real life recording so you can fix problems with low-frequency, breath pops, noise or anything else that is throwing off the sound of the mix. Mixing with computer monitors is like fixing car noise by wearing earplugs. Working with the pure, unaltered audio is the way you can really cure any problems.
The importance of mixing with the use of studio monitors instead of computer speakers is evident when you hear your mix played from different qualities of speakers. It should sound alright coming out of two-inch computer speakers and the highest quality studio monitors with multichannel surround sound as well when you have finished with it. Consistent sound quality is critical when making good mixes. Translation of sound quality from one piece of equipment to another is only possible by eliminating problems instead of covering them up.
As you generate great mixes on your studio monitors instead of poor computer speakers, you should still check the quality on your headphones, regular speakers and other such things to be in no doubt that the sound translates well no matter where it is coming from. Do not make the mistake of covering problems by using computer speakers to create mixes. Studio monitors are the real way to hear what a track sounds like and make any needed changes.
In picking quality studio monitors, translation is of the greatest importance. The ability to make sound recordings that are good on all systems is paramount in recording and mastering. Finding the best quality pair of studio speakers should be your first obligation. Following this selection, a great pair of computer speakers can be useful to cross reference your work.
You can find the world’s best studio monitors and computer speakers at White Lines Audio.
Tags: Computer Speakers, Recording Equipment, Sound, Speakers, Studio Monitors Posted in Recording Equipment | No Comments »
Wednesday, October 14th, 2009
5.0 out of 5 stars One of the best field recorders out there, March 28, 2009
By Aaron Morris “Audio Engineer” (Seattle, Wa USA)
Just like the customer above me, I have a fairly early model (serial 2211). I don’t imagine them having any revisions or anything, because this unit is really solid. Let me start by saying that this device should not be considered a Mic in its own right. Sure, it has two condenser microphones stuck on top to record in stereo, but I wouldn’t use these mics in any studio unless I had nothing better. This unit is for those people who want to record in the field, and be able to capture 4 tracks of audio in a handheld device.
First, the build quality. Obviously Zoom took a lot of criticism to heart from their first H2 and H4 models. The H4n sports a “rubberized” hardshell design that’s easy to grip, and seems to stand up well to surface scratches. (Mind you, the rubber texture can attract greasy fingerprints which can get annoying if you’re a gadget freak like me). The top of the unit where the mics are is metal. There is some plastic on the unit, but definitely better designed than the previous two recorders from zoom. The buttons are easy to press, and the screen is large, allowing you to see everything you need to very easily.
The poster above me wondered why there was no metal cage protecting the microphones (like the previous H4 had). The answer to this is the switchable pattern on the microphones. Each mic can be twisted and swiveled to change the directionality that the mic pics up. In its native position the mics pic up at a 90 degree angle, giving a pretty good stereo image. But when you twist them, the mics are then a 120 degree angle. This is good for picking up sources that are farther away, or even ambient sounds for a wider stereo image. If there was a metal cage over the mics, you couldn’t reach your fingers in to twist them. Overall, I would rather have a switchable pickup pattern, than a protective cage. Just don’t drop a $350 recorder.
Second, the packaging. Inside the box, the unit came with a hardshell plastic carrying case, usb cable, foam windscreen, ac adapter, mic stand adapter, manuals and cubase le software, and a 1gb memory card. This is leaps and bounds above the competition. Most other recorders won’t come with any of this. Other companies will even make you buy your own ac adapter and memory card. And Zoom went even further and added a plastic carrying case (for those of you worried about dropping it). They were definitely thinking about the customers on this one.
Third, and most importantly, the sound quality. This is why you buy the unit right? The sound quality has to be good or nothing else matters. Overall I was surprisingly impressed with the sound quality. I am an audio engineering student, going to school for sound reproduction, and sound reinforcement. Needless to say, I know my way around a microphone. I was expecting this unit to sound average, just like a pocket (or handheld) recorder usually sounds. But in fact, the H4n sounds pretty decent. The high end is nice and defined, the microphones built into the unit sound really clear. The one thing I can say about the sound is that it is accurate. I have recorded a few tests using my voice, a guitar, and some other misc. elements. I did notice that the microphones gave off a little bit of condenser hiss when the input gain was turned up. This could probably be solved or lessened if you were to get closer to the object and turn down the recording level. But still, it worries me to have a little bit of noise floor coming from the mics, especially if I were to use the recordings for post production video work.
The other thing I noticed was a lack of bass response. This could have been because I was a foot or two away from the microphones, but the bass on the microphones was a little lacking. My voice sounded a little thin. My guitar sounded fine, but guitars don’t really have a lot of low end in the first place. Also watch out for handling noise. If you think that you’re going to carry the unit around and do interviews while holding it, forget it. All handheld recorders suffer from this (I’ve read), but its true for this unit as well. Anytime you hold the H4n and move it around, you can hear low end rumbling and handling noise. Just use a tripod, or the included hand/mic clip adapter and you should be fine. (Also get a better windscreen if you’re going to use it outside, the one included doesn’t do anything outdoors for wind noise. You should buy a fuzzy or “hairy” windscreen if you want to use it outside)
Overall I think this recorder is the best on the market right now. Although there are a few units that have better sounding built in microphones (sony), it’s only marginally better. Plus the H4 is cheaper (by about $150) and has more build in features/functionality. Like the fact that the H4n can record with two built in mics, and two XLR mics simultaneously (4 tracks at once). This means that you can record with the built in mics, but also use your own microphones if you want to add variety, redundancy, etc. You can also just use the unit for a preamp if you only want to use your own microphones to record in the field. I won’t name off all of the features, but some included features weren’t even necessary and Zoom was nice enough to add them in anyway (guitar tuner, audio interface, stamina mode, MTR mode, 96k recording, etc).
Needless to say, if you need a recorder for any reason, even if it’s just for a school project, or for recreation, don’t buy the cheapest recorder you can find. Spend a little extra money and get the H4n, it’s seriously worth the extra cash for something that will last you much longer. It’s simply the best value for a handheld recorder on the market right now.
Zoom H4n Digital Recorders on eBay
Tags: portable digital recorder, zoom h4n Posted in Recording Equipment | No Comments »
Wednesday, October 14th, 2009
World-class recording for everyone
Representing the next level of professional recording performance, the H4n delivers superior audio quality and dramatically improves the user experience. Zoom’s most sophisticated handheld recorder to date will amaze, no matter the application.
Unique X/Y mic design captures perfect stereo images
The H4n’s onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization with no phase shifting. Frequency response remains uniform throughout your recording. The result is great stereo recording with natural depth and accurate imaging every time.
The mics also adjust for variable recording patterns at either 90° or 120°. Our unique design lets you rotate each mic capsule from 90° (standard) to 120° (wide-angle) stereo for the ultimate versatility in any recording situation.
Why four channels are better than two
Everyone knows that proper miking is essential to making a great recording. The H4n is the only handheld recorder that allows you to record on four channels simultaneously by using its onboard mics with either external mics or direct inputs. You can then use its built-in mixer to blend the channels for perfectly balanced recordings. Now your recordings can be richer than ever before.
Or, to get a great recording of a live performance, use the H4n’s onboard mics to get a room mix while simultaneously recording a stereo mix from the mixing board for a live recording that is easily one of the best you’ve ever heard.
And for media and filmmakers, the H4n makes it easy to record “high definition” audio at 24-bit/48kHz with booms, handhelds or lavaliers while gathering atmospheric audio with the onboard mics. The H4n also supports Broadcast Wave Format (BWF) so your recorded files carry time stamp information. You can even set markers (cue points) during recording or playback.
For even more versatility, the H4n also features a Mid-Side stereo decoder that allows you to utilize this classic microphone setup. The H4n converts the mid and side channels into a conventional stereo (L/R) signal for even more versatility. It’s only found on the H4n.
It’s all in the preamp
The H4n’s new mics and four channel recording ability, in combination with our new, digitally controlled, high-quality preamplifier renders audio so precise, you’ll sound like you recorded in a world-class studio. And this new preamp means you can make recording level adjustments on the fly. Of course, an automatic level setting function is also built-in to optimize your levels as quickly as the situation requires.
High resolution, 24-bit/96kHz linear PCM recording
Choose up to 24-bit/96-kHz linear PCM WAV files for audio resolution that surpasses DVD quality. Or, when maximum recording time with smaller file sizes is desired, select a variety of MP3 formats from 320 kbps down to 48 kpbs to produce smaller files suitable for web or e-mail distribution.
Secure your digital memories on SD and SDHC cards
The H4n uses compact SD or high-capacity SDHC memory cards of up to 32GB for over 15 hours of recording time at 24-bit/96kHz. Or, using MP3 format at 128 kpbs, get over 550 hours of recording time on one card.
It’s about the music.
For musicians and songwriters, the H4n is also a user-friendly, multi-track studio (MTR) that records at CD quality, 16-bit/44.1kHz resolution. Plug in your guitar or bass and use the H4n’s classic amp models to inspire your creativity and find tone perfection during your recording sessions.
The MTR mode allows simultaneous 2-track recording and 4-track playback. With this feature, you can sketch songs by overdubbing vocals and instruments with ease. Level and panning can be adjusted individually for each track on the built-in mixer, and you can even do a mixdown right on the H4n. Perfect for pre-production sessions with the band.
The H4n offers a choice of 50 studio-quality DSP effects including compressor, chorus, delay, and reverb. These onboard studio effects, along with its tuner and metronome make the H4n very musician friendly.
The H4n’s phrase trainer capability makes learning new songs easy with an adjustable playback feature that changes the speed from 50 to 150 percent, while maintaining pitch. Or use its center cancel feature to suppress audio that is recorded with center imaging. And because the H4n lets you alter pitch without changing playback speed, you can choose source material, suppress the center audio and use it as a backing track while recording a vocal or guitar track.
It’s a USB audio interface
The H4n also functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favorite recording software or the bundled Cubase LE 4 from Steinberg, so you can start to produce and edit your recording right out of the box.
Everyone likes surprises, but not while you’re recording
You can set your H4n to automatically record whenever sound above a designated level is detected. This ensures that you capture everything of importance while minimizing blank sections such as when recording a conference or lecture. The H4n can also be set to continuously record the most recent two seconds of audio in memory. Now, you’ll never miss the beginning of anything you want to record, even if it begins suddenly.
Brains with a body too
The H4n has a new rubberized, shock resistant chassis that improves durability while reducing handling noise. A large, 1.9 inch LCD screen with backlit graphic display shows all the tracking information at a glance and makes it easy to navigate the functions of the unit. The H4n even has a built-in reference speaker to let you check recordings without earphones.
Faster file transfer
The H4n is now a USB 2.0 Hi-Speed device, meaning that files can be transferred to your computer at the highest rate available. Then use recording software for editing, create your own original CDs, post your recordings on your myspace page or send out your recordings by e-mail… the possibilities are endless.
Stamina mode extends battery life to 11 hours
For situations where you require maximized, continuous recording operation you can select stamina mode that effectively doubles battery life, letting you record continuously for approximately 11 hours in 16-bit/44.1kHz linear PCM format.
Zoom H4n Recorders on eBay
Tags: portable digital recorder, zoom h4n Posted in Recording Equipment | No Comments »
Wednesday, October 14th, 2009
Finally, a USB mic that’s not only easy to use, but sounds as good on your desktop as it does in a professional recording studio. Meet the Snowball,™ the world’s first professional USB mic.
Whether you’re recording a guitar at your kitchen table or a complete band in the studio, the Snowball can capture it with detail unheard of before in a USB mic.
The Snowball is a direct plug n’ play mic that connects to either a Mac or PC – no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid, cardioid with -10dB pad and omni), the Snowball can handle everything from soft vocals to the loudest garage band — and it’s ideal for podcasting. Check it out and you’ll see why it’s the coolest mic in town.
Customer Reviews of Blue Snowball:
5.0 out of 5 stars Impressive, clean cardiod sound, mac core audio, warm omni mode, May 24, 2006
By Matthew J. Rygelski (St. Louis, MO USA)
Okay, I own a lot of microphones. I am very picky when it comes to sound and I would gladly waste $40 in gas to return a microphone that just didn’t have the sound I expect. I was delighted to hear the quality of this USB mic! It has a great clarity to it, without being “tinny” or “crispy”, and without sacrificing on the lows either. No “boomy” or “hollow” sound, just a nice clean and full-range quality that I expect from my $500-range microphones (but thankfully, without having to fool with an audio interface or goofy proprietary driver software!) What a great find… plug it in and it is ready to record!!
If you are looking for an intelligent, clean, affordable microphone for voice-over projects, podcasts, quick-and-easy live recording (with your laptop, of course), or open-mic music composition before dragging all the gear out to record a full-blown multitrack, this is the best money can buy in this category. Not to mention, it looks great sitting on your desk! BLUE has definitely convinced me to buy again, solid construction and solid sound (and no stupid drivers like Samson’s USB garbage). Maybe next I’ll get a Bluebird or Baby Bottle, this company is worth a closer look now that I’ve heard the very smooth sound of their entry level — BLUE has got my attention!!
5.0 out of 5 stars This is a great microphone with a lot of options., November 20, 2005
By Cesar G. Gamez “CG” (Dallas, TX)
When I started podcasting I began looking for a quality microphone that would provide me with quality sound while being inexpensive. This microphone has been GREAT for my podcasting efforts. There are three options: single vocal, live music, and a 360 degree vocal mic which allows me to share my microphone with other guests in the room without loosing sound quality.
In fact, I once did a podcast outside by the freeway and the outside noise was minimal. This is a great buy.
Blue Microphones on eBay
Tags: blue microphones snowball, usb microphone Posted in Recording Equipment | No Comments »
Wednesday, October 14th, 2009
It’s a simple idea: provide brilliant stereo recording in an easy-to-use, ultra-portable device.
The H2 is the only portable recorder with 3 mic capsules onboard for mid-side recording. A directional mic is in the center (mid) and two directional mics (side) are positioned left and right.
The audio is decoded instantly, bringing these three signals together for unparalleled stereo imaging. One button recording, gain controls on the side and an intuitive user interface mean you can always capture the moment. Set your levels, push record and go. The H2 records on Secure Digital (SD) media and a 512MB SD card is included. With a 4GB SD memory card, the H2 provides up to 2 hours recording at 96kHz, 6 hours at 44.1kHz, or up to a staggering 138 hours in MP3.
Play your recordings on your home audio system with its 1/8″ stereo output or listen to your masterpiece with headphones. Or, use the H2’s USB interface to move your recordings to your Mac or PC to listen, edit and share.
Two standard alkaline AA batteries will give you 4 hours of continuous operation and a backlit display means it’s always easy to use in any situation
The H2 is the only portable recorder with 4 mic capsules on-board for 360° recording. With 4 mic capsules in a W-X/Y configuration, the audio is decoded instantly, bringing these four signals together for unparalleled stereo imaging.
But the H2 doesn’t stop there. For maximum flexibility, you can record from the front of the H2 in a 90° pickup pattern or the rear of the H2 in a 120° pickup pattern at up to 96 kHz/24-bit resolution as a WAV file, or as an MP3 file at bitrates up to 320 kbps. Additionally, you can record in a 360° pickup pattern at up to 48kHz/24-bit resolution which will allow you to convert your recordings to 5.1 Surround.
Push a Button…
That’s all it takes to start recording! The H2 is a remarkably robust device that is incredibly easy to use. One button recording, gain controls on the side and an intuitive user interface mean you can always capture the moment. Set your levels, push record and go. It’s that simple. Or use the Auto Start and Auto Gain Control functions to ensure complete capture at the right level. And if you need to fine-tune your levels on the fly, we made it easy with gain control buttons on the front panel.
Play it Back!
Play your recordings on your home audio system with its 1/8″ stereo output or listen to your masterpiece with headphones. Or, use the H2’s USB interface to move your recordings to your Mac or PC to listen, edit and share.
The H2 records on Secure Digital (SD) media and a 512MB SD card is included. The unit can accommodate up to a 16GB SD card, allowing up to 24 hours of total recording time using the 16-bit/44.1kHz WAV format. At 128kbps MP3, you get an amazing 280 hours of stereo recording. Store your recordings on a PC or Mac with its USB 2.0 interface. And you can use its time stamping function for reference during production. Or use the H2 as a USB Mic for recording directly to a computer.
What’s Life Without Accessories?
The H2 comes with earbuds, 1/8 inch stereo to RCA cable, mic clip adapter, tripod stand, USB cable, AC adapter and a 512MB SD card.
Ultimate Convenience
The H2 weighs 4 ounces and fits in your pocket for the ultimate in portability and convenience. Two standard alkaline AA batteries will give you 4 hours of continuous operation and a backlit display means it’s always easy to use in any situation.
Enjoy Your Brilliance
Brilliant stereo recording in a convenient, user-friendly package means there’s never been an easier way to record high quality audio. The H2 gives everyone the power to record anything and share it with anyone, anywhere. You’ll be amazed by your sound.
Features:
* W-XY mic patterns with 4 mic capsules and signal processing allows Front 90° cardioid, Rear 120° cardioid and 360° polar patterns
* Built-in USB 2.0 interface
* Records in WAV 96kHz/48kHz/44.1kHz at 16-bit or 24-bit, MP3 to 320kbps and Variable Bit Rate (VBR) data formats
* Time Stamp and Track Marker functions in Broadcast WAV Format (BWF)
* 512MB SD memory card included
* Accommodates up to 16GB SD memory cards
* Auto Gain Control (AGC) for pristine recordings
* Auto Start function means you’re always ready to record
* Low-cut filter eliminates wind noise
* On-board chromatic Guitar/Bass tuner
The H2 Handy Recorder brings the ultimate in functionality and versatility to portable digital recording. A clear, backlit display features recording levels, time code, file name and remaining battery life. LEDs indicate Front, Rear, 2 Channel or 4 Channel modes and the recording angle: 90°, 120° or 360°. An Active Mic LED is on the front and back of the H2. Transport controls include one button recording, playback and pause, fast forward and rewind. Use the Menu key to enter the control menu and the cursor keys to navigate through the feature sets.
Within the menu, set recording parameters such as direction and polar pattern, activate the Auto Start function and set file format. And you’ll find additional settings like Auto Gain Control to make sure your recordings are always pristine. And you can fine-tune your levels on the fly with the Record Level buttons on the front.
On the left side of the H2 is a 1/8″ Phone/Line Output for monitoring and playback. Playback Volume, Power On and the AC power are located here as well.
On the right side of the H2, you can plug in a powered 1/8″ external stereo mic. Setting levels is easy with a Mic Gain slider for Low/Medium/High gain. You can also digitize analog recordings with the 1/8″ Line In.
Use the USB 2.0 Interface to move your files to a PC or Mac for storage, editing and playback. The time stamp function is great for reference during production. And you can even use the H2 as a USB mic and record directly to your favorite digital audio software.
For brilliant stereo recording, and plenty of extras, there’s never been a simpler or more functional solution than the H2 Handy Recorder from Zoom.
Please note: The Zoom H2 will not mount as a USB Drive on MAC OS X 10.5.0 Leopard unless you update to H2 Firmware version 1.2 or higher.
Zoom Recording Equipment on eBay
Tags: zoom h2 Posted in Recording Equipment | No Comments »

 | |
|